Climate change might be the most important issue the world faces today. Readers of this site will know it has a rich history. It helped trigger the evolution of sentience in primates, created conditions that encouraged agriculture, and influenced the rise and fall of civilizations from Bronze Age Greece to the Ottoman Empire. Its present, as we have recently been reminded, affects us all. In just the last week, dozens have died in Texan floods, hundreds in an Indian heat wave, and thousands in a Syrian war provoked, in part, by drought. The future looks even more alarming. The IPCC and WMO have both warned that the world, and our place in it, may be almost unrecognizable in a century. So why is there no climate change museum?
Granted, most natural history museums have exhibits dedicated to climate history and global warming. The Smithsonian's National Museum of Natural History in Washington, D. C., for example, features a spectacular exhibit that links climate change to the fate of early hominids (above). The American Museum of Natural History in New York has an alcove just beneath the Hayden Planetarium that describes global warming and explains how scholars reconstruct past climates. But no permanent museum gathers all of this information in one place, in a way that skips over disciplinary boundaries and alerts the public about the importance of action, today.
Miranda Massie and a group of like-minded experts are trying to change all that. Massie is the executive director of the Climate Museum Launch Project. Her initiative seeks to open a climate change museum in New York City, which she hopes will attract some one million visitors per year. We are delighted that she took the time to answer our questions.
Dagomar Degroot (DD): In a nutshell, what is the Climate Museum?
Miranda Massie (MM): A climate solutions-focused museum with compelling, interactive exhibits in tourist-accessible New York City.
There are two basic reasons for creating such an institution, both arising out of the enormous importance of climate change. First, in intellectual and cultural terms, it’s hard to think of a richer or more interesting subject for a museum. Climate change cuts across a huge range of disciplines and subject areas: many branches of science, of course, and also history, public health, conservation, social justice, psychology, art, and ethics, to name some of the most obvious.
Second, and this is what inspires our team to take on a project of this magnitude, we believe that such an institution is uniquely fit to broaden climate engagement, and that an engaged public can generate the climate initiatives needed for humanity to flourish. The museum will break down cognitive and emotional barriers that have helped prevent the formation of a broad climate public. It will concretize climate science through immersive, sensory exhibits; serve as a hub for climate art and dialogue; inspire confidence by showcasing successes; and create a sense of connection and community. The Climate Museum will incubate shared optimism, determination, and enterprise on our most critical challenge.
"An engaged public can generate the climate initiatives needed for humanity to flourish."
DD: You were a PhD student in history at Yale. You became a lawyer who fought for the marginalized and dispossessed. How has your background equipped you to present the science of climate change in a new way?
MM: I don’t think it has! We have a running list of exhibit ideas, but overall my thoughts on our programmatic content are quite general: it has to be solutions-focused, varied, highly engaging, and community-building. That’s hardly a blueprint.
Instead, fresh and immersive presentations of the science will be the province of a team of scientific advisors, climate communications experts, exhibit designers, and curators, talent pools we’re exploring. One of the most rewarding aspects of this project is meeting so many gifted specialists—almost all of whom have responded with generosity and enthusiasm.
On the other hand, I do think my background has prepared me for this work in other ways. Studying social history and prosecuting civil rights claims taught me that community participation can solve seemingly intractable problems. The latter also exposed me first-hand to the courage and resolve of unsuspected heroes. Both showed me we can win.
DD: A recent New Yorker article claims that Hurricane Sandy convinced you that climate change was more than a middle class issue. Do you think the hurricane has helped – or will help you – find support for the museum in New York? Does that say anything about how the public understands climate change?
MM: Over time, I came to see climate change as at once the ultimate social equality issue and a categorically distinct and overriding threat to human well-being. Sandy transformed my unease over not working on it into sharpening distress.
As for Sandy and support, yes—I think Sandy is one of the key reasons the museum will happen. It changed how New Yorkers think and feel about climate change. It’s a priority for us now in a different way. There are other factors too, of course, including the leadership of the Bloomberg and now De Blasio administrations on climate, the effective work of many advocacy organizations and individual activists, and the joyful success of the climate march last fall. But Sandy was key.
And that does say something about how we understand climate change. It’s easier for us to relate to discrete weather events than it is to long-term trends, risks, statistics, and the like. Climate science didn’t change the day after Sandy, but many New Yorkers’ feelings about it did.
This is partly an American dynamic. Even leaving aside climate denialism, science and science education have been put under strain in the US, intensifying the intimidating and opaque quality of climate science (as compared to weather experience). But it’s also a human dynamic. We’re first physical creatures, then social and emotional ones, and then only on a good day, at least speaking for myself, intellectual ones. It’s one of the reasons a museum can be such an effective means of connecting with people on climate. It will contain the right information pyramid.
This is very much a museum about resilience, adaptation, and mitigation—about our shared ability to escape the danger our shared abilities and proclivities have created.
DD: Will your museum explore how humans have evolved with climate change, from prehistory to the present? Or will this be a museum of global warming?
MM: The main focus will be on solutions to anthropogenic climate change, with concentric circles of context. One of those circles will be devoted to the history of the planet’s climate and its relationship to life, including human life.
DD: To what extent will disaster and decline – keywords in the quest for action on global warming - play a role in your museum?
MM: While we must be honest about growing risks, this is very much a museum about resilience, adaptation, and mitigation—about our shared ability to escape the danger our shared abilities and proclivities have created.
DD: How close is the Museum of Climate Change to becoming a reality? What still needs to be done? How can people help?
MM: Much closer than it was when we started fifteen months ago, with longer left to go. We’ve gotten as far as we have because so many people have offered support and expertise, and we very much welcome more. It is a huge help for people to spread the word through social media and in person. And we gratefully welcome your readers’ further thoughts on how we can, with their engagement and support, get closer to the red ribbon moment. I can be reached at firstname.lastname@example.org.
This autumn, we are launching a climate change podcast series. Our podcasts will be shared and transcribed in this space. Stay tuned for details.